© Otmar Wagner
WOUNDED WORLD #End: Me. Europe
MultiMedia-Installation / Performance
WUK performing arts Wien, Mai 2018
Concept / Script / Sounds / Performance: Otmar Wagner
Videoconcept / -script: Peter Koger, Otmar Wagner
Special Guests (Video): Irene Coticchio, Johannes Maile, Heiko Senst, Elisabeth Tambwe
Special Guests (Audio): Gerhard Naujoks, Tamara Trojan, Lars Moritz
Lighting Design: Daniel Biegger
In co-production with WUK performing arts and with the kind support of the City of Vienna’s Department of Culture
With ›WOUNDED WORLD #End: Me.Europe‹, Otmar Wagner has created a scenic installation as a visual and audio play. It centres on the key question: Why do we get up in the morning? What drives the ›achievement-subject‹ out into the day? Is it self-love, which consists of functioning as ordinary and useful human capital, as a working consumer, as purchasing power, as an anti-fascist do-gooder? Why, despite all our strenuous efforts at self-optimisation, does the skin become porous, the teeth rot, whilst shingles flares up?
This performative environment marks the conclusion of the WOUNDED WORLD cycle. Wagner takes up some of the motifs from the essay-performances WOUNDED WORLD #1–#3 and places them in new contexts.
Click here for ›Herbariums of Political Desire‹, an article by Noah Holtwiesche on the performance cycle (in german), published in gift 03/2028.




















